When it comes to ranking movies, it is difficult to reach consensus. However, we have decided to take the task of publishing a new list of the best science fiction films of all time. Visit new-primewire to watch movies.
Inspired by the homonymous novel by Andy Weir, this adventure loads the inks in the scientific component of science fiction, forcing Matt Damon to survive for months on the Red Planet without many more weapons than his human ingenuity. Or, and a soundtrack full of classics. Go to new-primewire to watch movies.
The one of the two rivals forced to collaborate is an issue that the cinema deals with on occasions (the wonderful ‘Hell in the Pacific’, by Boorman) but in the hands of Wolfgang Petersen, here in full power, reaches an epic dimension when our protagonist Human (Dennis Quaid) becomes a friend, brother, protector … and father.
The Man from Earth
A film that acquired its fame in the Torrent (and the producer herself publicly thanked this fact), ‘The Man from Earth’, the last work of the great Jerome Bixby, is a perfect example that science fiction can take us to extraordinary universes without moving of a room.
Star Trek: The Movie
The first ‘Star Trek’ deserves to be on this list for the quality of the threat facing Captain Kirk and company: V’Ger, an “artificial intelligence in search of its creator”, whose final identity is One of the most extraordinary surprises of the whole saga.
The crew of the Serenity ship faces the definitive threat in a double way: space crazies and a tyrannical government bolted to achieve peace in the galaxy at the cost of suppressing the only thing that is capable of separating us.
The Brother from Another Planet
John Sayles’ foray into science fiction is, well, John Sayles in its purest form. A dumb black alien (Joe Morton, one of the director’s regulars) faces racial prejudice in the Harlem of the 80s, all while being chased by two Caucasian Black Men.
Netflix once competed for the Golden Palm with an extravagant tale about giant pigs, soulless capitalism, friendship between species and a very clear message about what we are doing with this, our planet.
The City of Lost Children
Jeunet worked with Marc Caro, who basically was in charge of exaggerating the French director’s style, more appeased alone, as incredible as it may seem (as ‘Amelie’ shows). We like it better in this steampunk precedent.